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Brooklyn's TV on the Radio has always been a forward-thinking rock band. Its new album, Dear Science, is its funkiest, but in a typically complicated way. Sick of living with pessimism, the band has brightened its tunes and beats.

On her new album, Rebel Woman, Chiwoniso shows off an assertive style that no other female singer in Zimbabwe can match. In her songs, she stands up for her country's children and poor. One of the most compelling voices in African music today, she confidently borrows from other genres — especially American ones.

Romanian singer Sanda Weigl learned traditional songs from the gypsies living around her home when she was a child. Today, she sings these songs across the U.S. as part of a Romanian cultural outreach campaign, but the singer's life remains larger than the Gypsy lore reflected in her songs.

A new Hank Williams collection has just been released, featuring songs that few fans have heard. The Unreleased Recordings of Hank Williams includes rare performances from a Nashville radio program Williams hosted in 1951. The legend's daughter, Jett Williams, discusses the origins of the newly found treasure trove of music.

Local Colombian music permeates the soundscapes crafted by the band Aterciopelados. But what gives the group's music its universal appeal is something less tangible: a quality of dry-eyed optimism that proves both persuasive and reassuring in these troubled times.

Leonard Bernstein wrote his Mass to memorialize John F. Kennedy. But conductor Marin Alsop says that the dizzyingly eclectic work reveals more about its composer than anyone else.

Landreth is a guitarist's guitarist, but he's not well known outside music circles. His latest CD, from the Reach, is his ninth, but audiences have mostly seen Landreth play slide for the likes of John Hiatt, Jimmy Buffett or Clifton Chenier.

The Grammy-nominated singer-songwriter's new album, Little Wild One, tackles the subjects of post-Sept. 11 New York City and motherhood. Osborne discusses the record and how her new appreciation of New York helped provide the inspiration.

Reggae music has gone a lot of places over the years, from minimalist dub to culture-warring dancehall. Almost 40 years on, Spear still hews to the reggae basics: a deep, easy groove; brassy R&B flavorings; and a mystical take on history. His new CD is Jah is Real.

For many, the autoharp is remembered as the slightly geeky, easy-to-play instrument from grade-school music class, or as simple accompaniment for folk and country singers. But Basia Bulat, who sings and plays the autoharp on Oh, My Darling, hopes the time has come for people to discover the beauty and potential in the instrument.